When browsing 16th-century Japanese woodcuts, I was inspired by the landscapes I saw in these works. Mountainous terrain, fields, highlands and wonderful nature.
I combined it with a bubbling post-apocalyptic vision of the world and suggested my abstract statement. Post-apocalyptic landscapes were created by isolating selected elements of nature and subjecting them to various types of transformations. Ultimately, the works radiate a dark, suspicious and non-obvious aura. The color palette of the collection is based mainly on greens and blacks. There are also other elements like the meteorite belt; the unusual, shiny texture of the black mountains; a strange, sun-like ball.
I combined it with a bubbling post-apocalyptic vision of the world and suggested my abstract statement. Post-apocalyptic landscapes were created by isolating selected elements of nature and subjecting them to various types of transformations. Ultimately, the works radiate a dark, suspicious and non-obvious aura. The color palette of the collection is based mainly on greens and blacks. There are also other elements like the meteorite belt; the unusual, shiny texture of the black mountains; a strange, sun-like ball.
The projects were created in Blender and Photoshop.
